Naza
What happened a few days ago at the Venice Film Festival, one of the most important cinematic events in the world, was not a fleeting incident, but a documented historical record. Witnesses from within the ranks of the terrorist occupation army revealed to the world how the people of Gaza are being killed, exposing the lies of those who claim to be defenders of humanity. The audience’s hands were worn out from clapping for 25 continuous minutes, applauding the revelation that Israel is a terrorist state.
The documentary shook the foundations of the entity, exposing the myth of self-defense and demonstrating that the main target is not merely “Hamas,” but all Palestinians, with the people of Gaza at the forefront. Moreover, the film’s directors are a young man and a young woman from Israel, meaning the scandal emerged from within, not from outside.
The two directors, Yuval Abraham and Rachel Tzur, conducted 24 secret interviews on the rooftops of occupied Tel Aviv with employees working in the occupation army. They revealed atrocious criminal methods and confirmed that the occupation deliberately targets civilians.
“Nazareth” exposes new combat tactics, where the occupation uses systems relying on artificial intelligence and data to identify large numbers suspected of belonging to Hamas. The occupation also relied on hacking mobile phones and eavesdropping to determine so-called “collateral damage,” a term that gives the film its title, “Nazareth.”
Some of the film’s participants belonged to a secret intelligence unit directly linked to Benjamin Netanyahu’s office, receiving orders and policies aimed at sabotaging peace. The blond brother still dreams of peace.
In another scene, one witness explains how they can identify a targeted building, know its description, determine the number of people inside, and estimate how many will be killed in the operation. The program can even specify how many children might be killed, but workers are prohibited from distinguishing between children and adults.
Despite all this brutality, some of the witnesses considered their actions an achievement worthy of pride.
If audacity had awards, Netanyahu would have won. He accused the applauding audience of “anti-Semitism” and was deeply upset that the incitement came from within, meaning a witness from among its own people testified against it. He considered the film an insult to the army, portraying them as war criminals! So what should we call those who kill children? Angels of mercy, perhaps?
The Zionists have stripped away their humanity, becoming animals with guns. They have shattered the heads of humanity with accusations of anti-Semitism, which they claim is inhumane, and even worse, they sing praises of human rights! How can a person who tramples on his fellow human being speak of human rights?
The film caused a split in Israeli public opinion, with more than a thousand people working in the cinema industry signing a petition expressing solidarity with the filmmakers.
Director Yuval Abraham, in a speech at the festival, stated that Israel deliberately kills Palestinians and seeks to strip them of their humanity. He called on Italy, Germany, and the United States to stop supporting Israel, and urged the peoples of these three countries to watch the film to understand the truth about this rebellious entity.
How many graves you have, O Palestine, and how great is your brave, resistant people, who endured the bitterness of pain with stoicism, a bitterness no other Arabs or Muslims have borne. But tomorrow, God willing, the dawn of your victory will rise, and your enemy will be defeated.
