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annaharOpinions By مايا إبراهيم

Rituals of Secrecy in the Age of Lights

In not-so-distant times, a person could live a moment fully, without worrying about an eye watching them. They would rejoice simply for the sake of joy, travel out of passion, meet those they loved to find warmth in the encounter, and tuck certain moments away in the innermost chambers of their hearts; as if life had hidden rooms that no passerby would ever enter. Then social media emerged, and it did not merely change the tools of our communication; it extended deeper, reshaping our relationship with the moment itself. We began to traverse our days with a lens in our minds. We would arrive at a beautiful place, but the photo would precede our presence there. We would sit at a sumptuous table, searching for the most flattering angle before tasting the food. We would meet those we love, yet our hands would be occupied with phones in moments when it would have sufficed for our hands to simply reach out to one another. Even those details that were once entrusted to memory, we now entrust to the memory of devices. There is nothing wrong with sharing. Human nature is inclined to narrate, to tell others: “I was here, this happened, and I was happy.” But the issue begins when sharing ceases to be an echo of life and instead becomes life itself a project for sharing. When we choose what to live based on its visibility. When a silent question supersedes many others: “How will this look to others?” A question that crowds out a more honest one: “What does this mean to me?” Gradually, the audience infiltrated spaces to which it was never invited. Joy acquired an audience, travel acquired an audience, success acquired an audience, and even sorrow acquired an audience. We announce our beginnings, celebrate our achievements, and share the details of our days, until some things that were once whispered to those closest to us are now spoken aloud in front of strangers whose names we do not know. Perhaps the cruelest paradox is that we may feel lonely while surrounded by thousands of faces. Numbers do not create closeness, likes do not equate to affection, and comments do not signify care; a large number of followers does not mean that anyone truly knows us. People may know where we went, what we ate, what we bought, and which book we read, but they do not necessarily know what weighs on our hearts when we put the phone aside. It is precisely here that the paradox becomes evident. The more our ability to display our lives to others expands, the greater our need to keep a part of it for ourselves. Not every moment needs a photo. Not every joy needs an announcement. Not every achievement needs an audience to become an achievement. There are things whose beauty fades when we remove them from their privacy, and moments that gain value when no one else knows about them. To sit with someone you love without thinking about taking a picture. To travel without telling anyone where you went. To succeed and let the news arrive late, or not at all. To grieve without searching for the words that make your sorrow suitable for publication. Perhaps, in this world that constantly pushes us to be visible, we need to reclaim our simple right to remain hidden. To leave something for ourselves that no one sees. Something that is not measured by the number of likes, nor translated into a comment, nor does it need a screen to prove it happened. The life worth living is not necessarily the life worth displaying. Perhaps the most beautiful thing we can recover from an era when moments did not have audiences is to rediscover that quiet space where things are real simply because we lived them. To laugh without photographing. To love without announcing. To rejoice without explaining. And to leave some part of our lives for ourselves alone. To live the moment first, before thinking about how it will look in a photo.

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