Shabnam Khan: The Gulf audience is highly intelligent, and diversity is the foundation of an actor's longevity

In an exclusive interview with “Al-Nahar,” actress Shabnam Khan revealed the dimensions of her exceptional experience in the play “Shoqer Dadi,” outlining the secrets of artistic harmony and performing alongside theatrical and comedic giants under the leadership of actor Hassan Al-Balam. During the conversation, Khan shared her unique perspective on managing improvisation and maintaining theatrical rhythm, touching upon the importance of blending comedy and tragedy to escape stereotypical roles, before discussing her upcoming television surprise that bridges realistic drama and awareness-raising works aimed at various age groups.

Here are the details of the dialogue:

**“Shoqer Dadi” has achieved notable attendance and public interest. What personally attracted you to participate in this production?**

When they contacted me and informed me that I had been chosen to be part of “Shoqer Dadi,” and that I would be sharing the stage with Hassan Al-Balam and joined by Ahmed Al-Awani, I accepted without hesitation or second thought. After all, I would be standing before giants and professionals of comedy and theater. It was a wonderful opportunity for me to participate in adult comedic theater alongside the kings of the stage; in fact, I agreed before even knowing the story or reading the script.

**How do you view your character in “Shoqer Dadi,” and what were the main challenges you faced during preparation?**

I portray more than one character in the play; most of the cast plays multiple “characters” (archetypes). I understood this diversity and was drawn to it, as the audience sees me in different roles before I settle into a single character in the second act and until the end of the show. As for challenges, they lay in the rehearsals, as this was my first experience in this type of play. I didn’t know the right timing to deliver a “joke” or how to set it up (“setup”), nor how to gauge the audience’s reaction and laughter. I constantly discussed these matters with Hassan Al-Balam after rehearsals and put in personal effort at home to find the best way to highlight the character. The challenge and sense of pressure came from anticipating the audience’s opinion, but as the shows began and received direct positive feedback day after day, my courage grew and I felt much more at ease on stage.

**Theater relies heavily on fast rhythm and direct interaction. How did you handle this aspect?**

Rhythm is the backbone of theater. I remember that in the final days of rehearsals, just before the premiere, Hassan Al-Balam emphasized a crucial point, saying: “The most important thing is that the rhythm doesn’t collapse.” During the performances, I grasped the importance of this; if the rhythm drops or becomes slow, boredom may seep into the audience. Therefore, it was essential for us all to adhere to precise timing, maintaining a fast and enjoyable pace in acting, delivering jokes, and improvising to ensure the success of the show.

**What is the core message or value that “Shoqer Dadi” tries to convey to the audience?**

The play’s message is that no matter how old a person gets, they should not stop living, nor refrain from practicing their hobbies, traveling, or dedicating time to themselves. Aging does not mean the end of the road, and many fall prey to daily routine. “Shoqer Dadi” calls on everyone to break this routine and enjoy life with family, children, and loved ones. The work affirms that there is no such thing as “I’ve grown old and life has stopped.”

**Standing alongside Hassan Al-Balam… How would you describe the experience of working and harmonizing with him?**

Sharing the stage with Hassan Al-Balam is a grand experience and a feeling that defies description. It was an enjoyable experience in every moment, whether during rehearsals or performances. The harmony between us was very high, and I was keen to share every detail and “joke” I wanted to add with him. He, in turn, guided me and determined the best timing to deliver them between acts. Hassan Al-Balam provided me with unlimited support and significant guidance that boosted my confidence on stage. Through observing him in rehearsals and performances, I learned from him that spontaneity is the greatest secret to reaching the audience’s heart.

**What did this artistic experience add to you through the “Al-Balam Group” and the cast?**

The “Al-Balam Group” is one of the most beautiful and comfortable groups I have worked with; the work environment is built on respect, advice, discussion, and synergy. I benefited from the experience and energy of every individual in the group. The chemistry and artistic harmony among us were wonderful and formed a significant addition to my artistic career, especially since my direct interaction was with Mr. Hassan Al-Balam.

**How did you handle improvisation and unplanned situations during performances?**

Improvising alongside talents like Hassan Al-Balam and Ahmed Al-Awani is enjoyable and astonishing, as they are capable of improvising entire scenes with smoothness, spontaneity, and high comedic speed. Initially, I was afraid of mistiming or making mistakes during improvisation, but I learned that improvisation does not allow for long thinking; rather, it relies on spontaneity. When I tried improvising on stage and noticed the audience’s laughter and interaction, I felt relieved and became convinced that I was applying what I had learned and practiced correctly.

**What is the difficult equation for you in making the Gulf and Arab audience laugh currently?**

The Gulf and Arab audience is highly intelligent and knows exactly what they want and what types of comedy or entertainment appeal to them. The challenge lies in presenting something new and adding touches that deserve their presence. Theatrical comedy is a great responsibility and not easy; because the audience’s taste is ever-changing. The equation depends on “avoiding artificiality” and relying on extreme spontaneity, while paying attention to the actor’s listening to the audience’s reactions and adjusting tools and jokes based on their daily impressions without defying public taste.

**Do you lean more towards comedic works, or do you desire diversity and to highlight other dramatic aspects?**

As an actress, I love acting in all its forms, whether in theater or television. Diversity among characters (comedic, tragic, etc.) is essential for me so that I do not feel bored as an actress, and so that the audience does not get bored of me either. I pay great attention to the details of each character and their story to ensure I do not repeat myself or resemble my previous works.

**What are your upcoming artistic plans… Are there new projects you are currently preparing for?**

I am currently preparing for two upcoming seasons; the first is a series titled “Medical Error,” consisting of 10 episodes. It is a work featuring realistic events and starring major actors, produced and directed by Mr. Manaf Abdul. The second work is an educational and awareness-raising series that brings me together with actor Khaled Amin and is directed by Ali Al-Khamis. It is a work aimed at both children and adults, taking the viewer between the real world and the virtual world through its ideas and enjoyable scenes that the audience will soon experience.